AI configuration

Instructions editor

Editing

Beta Lite Black

Changes affect future generations after saving. Runtime placeholders such as ${laceColorId} are preserved.

Image 1Primary recolor

Main prompt for the first product view.

image1

IMAGE REFERENCE & MASKING INSTRUCTIONS
Use the provided images as follows:
Image 1: Primary reference image of the sneakers.
Image 2: Multicolor spatial mask defining the only regions where edits are permitted.
Interpret every mask color independently. Each mask color represents a separate edit layer. Do not blend, merge, expand, or cross-apply edits between mask regions.
MASK COLOR ASSIGNMENTS
Black mask region: AM logo
Red mask region: Internal midsole layer
Blue mask region: Outsole traction/gripper elements
Green mask region: Semi-transparent TPU shell
Only modify regions corresponding to their assigned mask colors. Do not modify any area outside the mask.
GLOBAL PRESERVATION REQUIREMENTS
Preserve the original:
Composition
Shoe geometry and proportions
Upper mesh materials
Stitching and seam placement
Layered sole construction
Lighting
Shadows
Reflections
Camera angle and framing
Exposure
Contrast
White balance
Background
Overall color grading
Premium commercial footwear photography appearance
Maintain maximum pixel fidelity to Image 1 and apply only the minimum modifications required for the specified regional changes. Do not perform global image modifications, recolor unmasked areas, or regenerate the entire product.
al behavior.
BLACK MASK REGION — AM LOGO
Change only the AM logo color to ${AMLogoColorId}
Preserve the original logo’s:
Material properties
Texture details
Shading
Highlights
Surface response
Molded construction
Natural reflections
Realistic interaction with the studio lighting
RED MASK REGION — INTERNAL MIDSOLE LAYER
Change only the underlying internal midsole layer within the complete red mask region.
Set the fully exposed internal foam to the specified ${foamInsideColorId} tone. Wherever the foam is seen through the semi-transparent outer shell, render it as the same material viewed beneath a translucent layer—noticeably lighter, softer and less saturated than the exposed base colour. It must not appear to be a separate material or colour painted onto the shell.
Apply an adaptive, physically believable optical shift to shell-covered foam:
Increase perceptual lightness by approximately 8–16 CIELAB L* units for medium and dark colours.
Increase perceptual lightness by approximately 5–10 CIELAB L* units for already light colours.
Reduce perceptual chroma by approximately 50–70% for saturated, medium and dark colours.
Reduce perceptual chroma by approximately 30–50% for already light, neutral or low-chroma colours.
Add a subtle neutral milky grey-green cast from the translucent shell.
Keep the original hue family identifiable, but make the covered foam distinctly paler, dustier and more subdued.
Saturated warm colours should become lighter, softer and dustier.
Cool colours should become lighter, muted pale blue-greens.
Neutral colours should become brighter and gently softened.
Use smooth, natural transitions between exposed and shell-covered areas.
The internal foam beneath the shell should read clearly lighter and less saturated than ${foamInsideColorId}, while remaining visibly connected to the exposed foam as one continuous material. Prioritize a soft, luminous, translucent appearance without losing the foam’s identifiable hue.
For already light colours, preserve enough density and contrast for the foam to remain visible. Do not push the result toward pure white, chalky opacity, overexposure or an indistinguishable washed-out appearance.
Preserve:
Realistic translucency
Subsurface scattering
Natural shadow gradients
Edge highlights
Layer separation and depth
Optical depth
Existing shell reflections, highlights, texture and transparency
Clear visibility of the internal foam through the shell
A visibly lighter and more desaturated appearance beneath the shell
Do not use a fixed RGB offset. Do not assign an unrelated second colour to the covered foam. Do not make the foam white, colourless, chalky, opaque or excessively washed out.
Do not recolour, flatten, paint over or reduce the transparency of the outer semi-transparent shell within the red mask region. Modify only the colour appearance of the internal midsole beneath it.

GREEN MASK REGION — SEMI-TRANSPARENT TPU SHELL
Modify only the semi-transparent TPU shell identified by the complete green mask. The completed RED MASK REGION — INTERNAL MIDSOLE LAYER is the sole colour source for this operation. Use the actual resulting colour of the internal midsole, derived from ${foamInsideColorId}, to determine how the TPU shell should interact with it. Do not fill the green mask with the raw ${foamInsideColorId} hex colour. Do not introduce a separate shell colour or use an independent full-strength hex colour. Instead, derive the TPU’s subtle translucent tint from the completed internal midsole colour beneath it.
Colour Relationship to the Internal Midsole: The TPU must behave like premium semi-transparent dyed urethane positioned physically in front of the internal midsole. Where the ${foamInsideColorId} midsole is viewed through the TPU:
Preserve the same underlying colour identity and hue family established in the red mask region.
Produce the lighter, softer and less chromatic appearance specified for the shell-covered internal foam.
Increase perceptual lightness by approximately 6–16 CIELAB L* units relative to the exposed foam.
Reduce perceptual chroma by approximately 50–70%, allowing approximately 30–50% of the original colour intensity to remain visible.
Introduce only a subtle milky, low-chroma material tint through the TPU.
Allow saturated warm colours to appear softer and dustier, cool colours to appear as muted pale blue-greens, and neutral colours to appear lighter and gently softened.
Maintain a smooth and physically believable relationship between exposed foam and foam seen through the TPU.
These values describe the final visible appearance of the foam through the shell. If the red-mask operation has already established this optical shift, preserve that result and do not apply the lightness or desaturation adjustment a second time. The shell colour must result from light passing through and interacting with the TPU material. It must not appear to be a solid colour fill, surface coating or painted layer.
Material Behaviour: The TPU must remain semi-transparent and behave like premium semi-transparent dyed urethane. Its subtle coloration must appear integrated naturally throughout the TPU material thickness rather than applied as surface paint. Retain enough visibility and colour presence from the underlying ${foamInsideColorId} foam for it to remain clearly identifiable through the TPU. 
TPU Shell Consistency: Maintain uniform TPU material properties and dye concentration throughout the complete green mask region. The perceived colour and intensity may vary only where physically justified by:
Material thickness
Viewing angle
Optical depth
Refraction
Internal reflections
Lighting and shadow
Edge transmission and highlights
Preserve exactly:
Existing transparency level
Refraction strength
Internal reflections
Optical depth
Edge glow
Thickness response
Material-density appearance
Surface finish
Separation between the TPU shell and internal foam
Do not introduce:
A direct full-strength ${foamInsideColorId} fill on the TPU
Any separate or unrelated shell colour
Random dark or discoloured areas
Uneven transparency
Colour streaking
Patchy translucency
Surface-paint effects
Local saturation fluctuations
Opaque rubber-like areas
Flat solid-colour fills
Unjustified frosted or cloudy areas
Loss of transparency
Double application of the colour-softening transformation
The ${foamInsideColorId} internal midsole must remain the predominant visible colour beneath the semi-transparent TPU shell. Modify only the optical and material appearance of the TPU within the green mask.
BLUE MASK REGION — OUTSOLE GRIPPER / TRACTION ELEMENTS
Change only the outsole traction and gripper components to a ${soleColorId} rubber material.
Preserve the original:
Tread geometry
Edge sharpness
Contact shadows
Component separation
Surface texture
Physical realism
The ${soleColorId} outsole must appear as durable performance-footwear rubber with a subtle matte texture. Maintain clear separation between the outsole components and the semi-transparent sidewall shell above them.
FINAL RESTRICTIONS
Do not alter:
Shoe geometry
Upper mesh material
Unmasked stitching
Sole construction
The translucent outer shell outside the yellow mask region
Shadows
Reflections
Studio lighting
Camera angle
Background
Overall image color grading
Do not allow any color, material, opacity, or texture change to bleed between mask regions. Restrict all edits exclusively to their corresponding mask-colored regions while preserving maximum fidelity, material realism, and photographic consistency throughout the remainder of the image.

Image 1 toplineTopline

Appended when the optional topline color is enabled.

image1Topline

The shoe contains a layered sole construction consisting of:
A bottom outsole traction/gripper layer
An internal colored midsole layer
An outer TPU/rubber shell surrounding the sole
A defined topline section of the outer shell identified by the yellow mask
Except for the yellow mask region, the outer semi-transparent shell must retain its original translucency, opacity, texture, thickness, cream coloration, light diffusion, and optic.
MASK COLOR ASSIGNMENT
Yellow mask region: Topline section of the outer shell
YELLOW REGION — MATTE SOLE-TOPLINE BAND
Change only the exact yellow-mask region to an opaque matte finish in exact color ${toplineColorId}.
Important Spatial Clarification: This yellow-mask region is the narrow horizontal topline rim of the sole construction. It sits immediately below the white AM-logo heel panels and immediately above the red-mask internal-midsole region, wrapping around the sides of the sole.
It is NOT:
The ankle collar
The shoe opening
The collar wings
The inner lining
The pull tabs
The cream or tan heel-counter leather
The white upper mesh
The white AM-logo heel panels
Any other part of the shoe upper
Do not place ${toplineColorId} anywhere on those upper-shoe areas. The narrow ${toplineColorId} sole-topline section must be opaque, uniformly colored, matte, and physically integrated with the surrounding sole.
Preserve every stitch visible inside this band exactly, including its original color, position, spacing, thickness, sharpness, and shadows. Apply the ${toplineColorId} material around and beneath the existing stitches without painting over, obscuring, recoloring, moving, or regenerating them. Create a clean, precise boundary between the opaque ${toplineColorId} band and the adjacent semi-transparent shell.
The matte surface must retain realistic material depth and subtle lighting response. It must not appear as:
A flat digital color fill
A translucent tint
Glossy paint
A sticker or overlay
A blurred mask
A textureless surface
A color spill onto surrounding regions
Create a clean, precise transition at the boundary between the opaque matte ${toplineColorId} yellow-mask section and the adjacent semi-transparent shell. Do not allow the matte color or opacity change to extend beyond the yellow mask boundary.

Image 2Primary recolor

Second view prompt; the tongue logo is supplied as a reference.

image2

This is a precision inpainting task, not a redesign or regeneration.
IMAGE INPUTS
Image 1: Original product photograph.
Image 2: Multi-colour spatial mask defining the only regions in which edits are permitted.
Image 3: Artwork to be applied to the existing tongue labels within the green mask.
MASK DEFINITIONS
Treat every mask colour as a separate, independent edit layer:
Blue mask: Internal midsole core
Red mask: Translucent outsole/rubber sidewall shell
Lace mask: Shoe laces
Green mask: Existing physical tongue-label area and artwork placement
Apply only the edit assigned to each mask region.
Do not blend, merge, overlap, expand, or cross-apply edits between mask regions. The mask colours are placement guides only and must not appear in the final image. Preserve all unmasked pixels with maximum possible consistency.
GLOBAL PRESERVATION REQUIREMENTS
Except for the explicitly requested masked edits, preserve the original:
Shoe identity, geometry, proportions, and construction
Camera angle, perspective, framing, and composition
Stitching, mesh, fabrics, textures, and material finishes
Sole construction and existing layer boundaries
Lighting, shadows, reflections, and highlights
Exposure, contrast, white balance, and overall colour grading
Clean white studio background
Premium commercial footwear-photography appearance
Make only the minimum modifications necessary to complete the following five masked edits.
1. BLUE MASK — INTERNAL MIDSOLE CORE
Edit only the internal midsole visible beneath the translucent outer shell.
Change the internal midsole colour to exact ${foamInsideColorId}.
The white colour must belong to the underlying midsole core, not to the surface of the translucent shell. It must remain naturally diffused through the transparent material while still reading clearly as white.
Preserve the outer shell’s original:
Translucency and opacity
Surface texture and finish
Thickness and edge softness
Light transmission and optical behaviour
Reflections, refraction, and transparency gradients
Do not create:
An opaque painted appearance
Expanded colour coverage
Loss of separation between the midsole core and outer shell
Any structural reinterpretation of the sole
2. RED MASK — TRANSLUCENT OUTSOLE/RUBBER SIDEWALL SHELL
Edit only the translucent rubber sidewall shell within the red mask.
Change the shell to a lightly dyed, transparent ${soleColorId} TPU or urethane material.
The shell must behave as a low-opacity transparent colour filter. The underlying white ${foamInsideColorId} midsole must remain clearly visible and visually dominant through it.
Maintain clear optical separation between:
The transparent ${soleColorId} outer shell
The underlying ${foamInsideColorId} midsole core
Preserve realistic:
Optical depth and light transmission
Edge glow and internal reflections
Refraction and thickness variation
Transparency gradients
Subsurface scattering
Clear TPU or rubber material behaviour
Do not make the shell opaque, milky, cloudy, frosted, or heavily diffused. Do not obscure the white midsole beneath it.
3. LACE MASK — SHOE LACES
Edit only the laces within the lace mask.
Change the lace colour to exact ${laceColorId}.
Preserve the original:
Lace weave and fabric texture
Surface detail and material response
Shading and highlights
Folds and curvature
Thickness
Edge definition
Realistic interaction with the existing lighting
Do not alter the tongues, labels, upper, eyelets, or surrounding shoe materials.
4. GREEN MASK — EXISTING PHYSICAL TONGUE LABELS
The tongue labels visible in Image 1 are the original physical labels. They must remain structurally intact.
Image 3 is artwork only. It is not a replacement label, patch, sticker, or replacement surface.
Change only the base fabric colour of each existing tongue label to exact ${tongueColorId}.
Preserve each label’s exact original:
Narrow width and height
Shape and proportions
Position and angle
Outer boundaries
Construction and thickness
Edge stitching
Fabric weave and texture
Folds and curvature
Shading and highlights
Perspective
Placement relative to the laces
Critical Label-Width Requirement:
The finished labels must have exactly the same narrow width, height, shape, proportions, and boundaries as the original labels in Image 1 and the green regions in Image 2.
Do not widen, enlarge, lengthen, reshape, or reconstruct the labels to accommodate the artwork.
Do not change the label-to-tongue width ratio.
If the Image 3 artwork does not fit, scale the artwork down uniformly. Never alter the physical label to fit the artwork.
Critical Label-and-Lace Depth Order:
Each tongue label must remain physically in front of the uppermost crossed pair of laces—the first two individual lace strands that cross directly beneath the label.
The label must extend over and visibly cover part of those two crossed lace strands. Both strands must continue naturally underneath the label and be partially occluded by it.
No part of either of these first two crossed lace strands may appear across the front surface of the label.
The required depth order is:
Tongue at the back
First two crossed lace strands above the tongue
Existing physical tongue label in front of those two lace strands
Preserve this same physical overlap on both shoes.
Image 3 Artwork Placement: Apply the complete Image 3 artwork to the front surface of each existing label, entirely within its green-mask boundaries.
Scale the artwork down uniformly until the complete design fits within the original narrow label.
Leave a small visible margin between the artwork and every label edge.
Preserve the artwork’s original proportions and colours.
Rotate and perspective-transform it only as necessary to follow the existing label.
Integrate it with the label’s weave, curvature, folds, shading, highlights, and lighting.
Make it appear authentically printed or embroidered during manufacture.
Do not:
Crop, stretch, distort, redraw, recolour, simplify, or reinterpret the artwork
Allow any part of the artwork outside the green mask
Enlarge or widen the label to fit the artwork
Remove, replace, regenerate, or obscure the existing physical label
Change the label’s width, height, angle, location, shape, or boundaries
Turn the artwork into a separate patch, sticker, floating graphic, or replacement material
Place any lace strand over the front of the label
Allow the label to sit behind the first two crossed lace strands
FINAL MASK-SEPARATION REQUIREMENTS
Do not allow any colour, material, opacity, texture, or artwork change to bleed between mask regions.
Restrict every edit exclusively to its corresponding mask-coloured region.
Do not modify a successfully edited region while processing another mask.
FINAL RESTRICTIONS
Do not alter:
Shoe geometry or proportions
Upper mesh material
Unmasked stitching
Sole construction or layer boundaries
Shoe uppers, insoles, toe graphics, tongues, or eyelets
Cream or tan heel-counter leather
White AM-logo heel panels
Shadows, reflections, or highlights
Studio lighting
Camera angle, perspective, or framing
Background
Exposure, contrast, white balance, or overall image colour grading
The final result must look like the exact same original product photograph with only these five precisely masked edits:
Blue mask: Whiten ${foamInsideColorId} internal midsole core
Red mask: Transparent, lightly dyed ${soleColorId} outsole/rubber sidewall shell
Lace mask: ${laceColorId} shoe laces
Green mask: Original narrow ${tongueColorId}tongue labels carrying the complete Image 3 artwork and physically covering the first two crossed lace strands

Image 2 toplineTopline

Optional topline addition for the second view.

image2Topline

Topline Mask Instructions:
MASK DEFINITION
Yellow mask: Narrow sole-topline band
YELLOW MASK — MATTE SOLE-TOPLINE BAND
Edit only the exact yellow-mask region.
Change this region to an opaque matte finish in exact colour ${toplineColorId}.
Spatial Definition: The yellow-mask region is the narrow horizontal topline rim of the sole construction. It sits:
Immediately below the white AM-logo heel panels
Immediately above the red-mask translucent outsole/rubber sidewall shell
Around the sides of the sole construction
The yellow-mask region is not:
The ankle collar
The shoe opening
The collar wings
The inner lining
The pull tabs
The cream or tan heel-counter leather
The white upper mesh
The white AM-logo heel panels
Any other part of the shoe upper
Do not place ${toplineColorId} anywhere on those upper-shoe areas.
The narrow sole-topline band must be:
Opaque
Uniformly coloured ${toplineColorId}
Matte
Physically integrated with the surrounding sole
Restricted precisely to the yellow-mask boundary
Stitch Preservation: Preserve every stitch visible within this band exactly, including its original:
Colour
Position
Spacing
Thickness
Sharpness
Texture
Shadows and highlights
Apply the ${toplineColorId} material around and beneath the existing stitches. Do not paint over, obscure, recolour, move, soften, or regenerate any stitch.
Material and Boundary Requirements:
The matte surface must retain realistic material depth, texture, curvature, shading, and subtle lighting response.
It must not appear as a flat digital colour fill, translucent tint, glossy paint, sticker/overlay, blurred mask, or textureless surface.
Do not allow colour spill onto surrounding regions.
Create a clean, precise transition between the opaque matte {sole topline colour} sole-topline band and the adjacent translucent shell.
Do not allow the matte colour, material, texture, or opacity change to extend beyond the yellow-mask boundary.
Final resctriction:
Yellow mask: Opaque matte ${toplineColorId} narrow sole-topline band with all original stitching preserved

Image 3Primary recolor

Third view prompt; the tongue logo is supplied as a reference.

image3

GENERAL GUIDELINES
Mask Authority: Mask colors are authoritative. Ignore visual content inside mask regions and apply edits according to mask-color assignment only.
CONTENT PROVIDED
Image 1 — Base image: Use the provided base image as the primary reference image of the sneaker shoes.
Image 2 — Mask image: The second image is a multicolor spatial mask defining the only regions where edits are allowed.
Image 3 — Logo image: The third image contains the replacement tongue-logo artwork that must be applied within the blue mask region.
Mask-Color Assignments
Green mask: Internal midsole layer
Red mask: Translucent rubber sidewall shell
Black mask: Outsole traction/gripper elements
Blue mask: Tongue-logo area
Shoelaces
GLOBAL EDITING RULES
Layer Isolation: Interpret each mask color as an independent edit layer. Apply only the modification assigned to that mask color. Do not blend, merge, overlap, or cross-apply edits between mask regions. Do not modify any areas outside the masks.
Preserve the Original:
Shoe geometry, proportions, and perspective
Stitching, mesh materials, textures, and sole construction
Lighting, shadows, reflections, exposure, contrast, white balance, camera framing, and background
Overall commercial footwear product-photography appearance
Fidelity Standard: Maintain maximum fidelity to the original image and apply only the minimum modifications required.
Sole Construction Reference: The shoe contains a layered sole construction consisting of:
A bottom outsole/grip layer
An internal colored midsole layer
An outer translucent rubber shell surrounding the sole
REGION-SPECIFIC EDITING INSTRUCTIONS
1. GREEN MASK: INTERNAL MIDSOLE LAYER
Primary Edit:
Change only the underlying internal midsole layer within the complete green mask region.
Set the internal foam’s base colour to the specified ${foamInsideColorId} tone. Treat ${foamInsideColorId} as the true colour of the foam when fully exposed or unobstructed.
Where the internal foam is visible through the surrounding semi-transparent outer shell, it must appear to be the same ${foamInsideColorId} material viewed beneath a translucent layer—not a separate colour and not paint applied to the shell’s surface.
Optical Shift Rules (Calculated Optical Shift):
Calculate a natural optical colour shift wherever the foam is covered by the shell:
Lightness (Medium/Dark): Increase perceptual lightness by approximately 4–12 CIELAB L* units for medium and dark colours.
Lightness (Light): For already light colours, use a slightly stronger but controlled lightness increase of approximately 3–7 CIELAB L* units. Make these lighter colours visibly brighter through the shell, but do not make them excessively pale, white, washed out or difficult to see.
Density & Contrast: Preserve sufficient colour density and contrast in light colours so the underlying foam remains clearly visible through the shell.
Chroma Reduction: Reduce perceptual chroma by approximately 35–60% for medium and dark colours, while reducing chroma by approximately 15–35% for already light or low-chroma colours.
Hue Control: Do not allow the covered colour to lose its identifiable hue or become a flat milky white.
Tint: Apply a subtle milky, neutral grey-green tint caused by the translucent shell, but keep this tint restrained so it does not overpower the base colour.
Adaptation by Base Colour: Adapt the shift to the selected base colour: saturated warm colours should become softer and dustier, cool colours should become muted pale blue-greens, and neutral colours should become slightly lighter and gently softened.
Continuity: Preserve the original hue family so the exposed and covered areas clearly read as one continuous material.
Transitions: Use a smooth, physically believable transition wherever the foam moves between exposed and shell-covered areas.
The optical shift must be adaptive rather than fixed. Medium and dark colours may receive a stronger lightness increase and greater desaturation. Already light colours should become slightly more luminous and lighter than the base colour, while retaining enough saturation, density and contrast to remain clearly visible through the shell. Never push an already light colour into pure white, chalky opacity or an indistinguishable washed-out appearance.
Preserve:
Realistic translucency, subsurface scattering, shadow gradients, edge highlights, layer depth, and optical depth
Separation between the internal foam and the surrounding shell
Existing shell reflections, highlights, texture and transparency
Clear visibility of the underlying foam colour, including for light base colours
A slightly brighter appearance for light base colours viewed through the shell
Prohibitions:
Do not use a fixed RGB offset or assign an unrelated second colour to the covered foam.
Do not make light colours white, chalky, opaque, overexposed or excessively washed out.
Do not remove the colour contrast needed to see the foam through the shell.
Do not recolour, flatten, paint over or make opaque the outer semi-transparent shell within the green mask region. Modify only the colour of the internal midsole beneath it.
2. RED MASK: SEMITRANSPARENT TPU SHELL ONLY
Primary Edit:
Modify only the semi-transparent TPU shell identified by the complete red mask.
The completed GREEN MASK REGION — INTERNAL MIDSOLE LAYER is the sole colour source for this operation.
Use the actual resulting colour of the internal midsole, derived from ${foamInsideColorId}, to determine how the TPU shell should interact with it.
Do not fill the red mask with the raw ${foamInsideColorId} hex colour. Do not introduce a separate shell colour or use an independent full-strength hex colour. Instead, derive the TPU’s subtle translucent tint from the completed internal midsole colour beneath it.
Colour Relationship to Internal Midsole:
The TPU must behave like premium semi-transparent dyed urethane positioned physically in front of the internal midsole. Where the ${foamInsideColorId} midsole is viewed through the TPU:
Preserve the same underlying colour identity and hue family established in the green mask region.
Produce the lighter, softer and less chromatic appearance specified for the shell-covered internal foam.
Increase perceptual lightness by approximately 6–16 CIELAB L* units relative to the exposed foam.
Reduce perceptual chroma by approximately 50–70%, allowing approximately 30–50% of the original colour intensity to remain visible.
Introduce only a subtle milky, low-chroma material tint through the TPU.
Allow saturated warm colours to appear softer and dustier, cool colours to appear as muted pale blue-greens, and neutral colours to appear lighter and gently softened.
Maintain a smooth and physically believable relationship between exposed foam and foam seen through the TPU.
These values describe the final visible appearance of the foam through the shell. If the green-mask operation has already established this optical shift, preserve that result and do not apply the lightness or desaturation adjustment a second time. The shell colour must result from light passing through and interacting with the TPU material. It must not appear to be a solid colour fill, surface coating or painted layer.
Material Behaviour:
The TPU must remain semi-transparent and behave like premium semi-transparent dyed urethane. Its subtle coloration must appear integrated naturally throughout the TPU material thickness rather than applied as surface paint.
Retain enough visibility and colour presence from the underlying ${foamInsideColorId} foam for it to remain clearly identifiable through the TPU. Use Image 3 as the visual reference for the desired balance of translucency, chroma and vibrancy.
The TPU shell must remain visibly separate from the internal foam layer. Do not merge the two layers visually.
TPU Shell Consistency:
Maintain uniform TPU material properties and dye concentration throughout the complete red mask region. The perceived colour and intensity may vary only where physically justified by: material thickness, viewing angle, optical depth, refraction, internal reflections, lighting and shadow, edge transmission and highlights.
Preserve Exactly:
Existing transparency level, refraction strength, internal reflections, optical depth, edge glow, thickness response, material-density appearance, surface finish, separation between the TPU shell and internal foam.
Prohibitions (Do Not Introduce):
A direct full-strength ${foamInsideColorId} fill on the TPU
Any separate or unrelated shell colour, random dark or discoloured areas, uneven transparency, colour streaking, patchy translucency, surface-paint effects, local saturation fluctuations, opaque rubber-like areas, flat solid-colour fills, unjustified frosted or cloudy areas, loss of transparency, or double application of the colour-softening transformation.
Summary constraint: The ${foamInsideColorId} internal midsole must remain the predominant visible colour beneath the semi-transparent TPU shell. Modify only the optical and material appearance of the TPU within the red mask.
3. BLACK MASK: OUTSOLE GRIPPERS AND TRACTION ELEMENTS
Primary Edit:
Modify only the outsole traction and gripper elements visible within the black mask.
Change the outsole grip and tread components to a ${soleColorId} rubber material.
Material Expectations:
The ${soleColorId} outsole must appear as durable performance-footwear rubber with a subtle matte texture.
Preserve:
Original tread geometry, edge sharpness, contact shadows, material texture, physical realism, sole depth.
Realistic microtexture, reflections, edge highlights, and layered sole-construction details.
Separation Requirements:
Maintain clear separation between:
The ${soleColorId}  outsole grips
The translucent sidewall shell above them
The internal (InternalMidsoleCore) midsole core
Do Not Alter:
The translucent shell, the internal (InternalMidsoleCore) midsole, the upper materials, lighting, exposure.
4.LACES
Primary Edit:
Edit only the laces within the image.
Change the lace color to ${laceColorId}.
Preserve:
Original lace texture, weave detail, fabric material response, shading, highlights, folds, realistic lighting interaction.
Do Not Alter:
Surrounding upper materials.
Quality Standard:
Maintain realistic studio product-photography quality and maximum material fidelity.
BLUE MASK: EXISTING TONGUE LABEL AND IMAGE 3 ARTWORK
Structural Context:
The tongue label visible in Image 1 is the original physical label. It must remain present and structurally intact.
Image 3 is artwork only. It is not a replacement label, patch, or replacement surface.
Primary Edit:
Change only the base fabric/background color of the existing tongue label within the blue mask ${tongueColorId}, while preserving its material, texture, stitching, shading, highlights, construction, and the original colors of the Image 3 artwork.
Apply the complete Image 3 artwork naturally onto the surface of the existing tongue label, entirely within the blue mask.
Artwork Application Rules:
The complete artwork must fit inside the blue-mask boundaries. Scale it down uniformly and rotate it only as much as necessary to match the label’s perspective.
Preserve the artwork’s original proportions and colors.
Prohibitions (Artwork & Label):
Do not crop, stretch, distort, redraw, recolor, simplify, or reinterpret the artwork.
Do not allow any part of the artwork to extend beyond the blue mask.
Do not remove, replace, regenerate, resize, reshape, reposition, shorten, enlarge, or reconstruct the existing label.
Do not change the label’s width, height, angle, proportions, or boundaries.
Do not turn the artwork into a separate patch, sticker, floating graphic, or replacement material.
Do not allow the label to disappear or become obscured.
Label Preservation Checklist:
Size, shape, position, angle, width, and height
Construction, thickness, material, and stitching
Fabric weave, texture, and surface details
Folds, curvature, shading, and highlights
Perspective and interaction with the existing lighting
Placement over the laces (must continue to overlap and slightly cover the laces exactly as in Image 1)
Integration Standard:
Integrate the Image 3 artwork with the label’s existing perspective, curvature, folds, weave, shading, highlights, and lighting so it appears authentically printed or embroidered during manufacture. It must not look like a flat digital overlay.
FINAL CONSTRAINTS
Do not modify any area outside its assigned mask.
Do Not Change: Background, framing, studio lighting, shadows, reflections, exposure, contrast, color balance.
Core Goal: Preserve the original shoe identity, construction, layer separation, and material fidelity. The final result must look like the same original product photograph with only the precisely specified masked color and artwork edits applied.
5.BLUE MASK: EXISTING TONGUE LABEL AND IMAGE 3 ARTWORK
Structural Context:
The tongue label visible in Image 1 is the original physical label. It must remain present and structurally intact.
Image 3 is artwork only. It is not a replacement label, patch, or replacement surface.
Primary Edit:
Change only the base fabric/background color of the existing tongue label within the blue mask ${tongueColorId}, while preserving its material, texture, stitching, shading, highlights, construction, and the original colors of the Image 3 artwork.
Apply the complete Image 3 artwork naturally onto the surface of the existing tongue label, entirely within the blue mask.
Artwork Application Rules:
The complete artwork must fit inside the blue-mask boundaries. Scale it down uniformly and rotate it only as much as necessary to match the label’s perspective.
Preserve the artwork’s original proportions and colors.
Prohibitions (Artwork & Label):
Do not crop, stretch, distort, redraw, recolor, simplify, or reinterpret the artwork.
Do not allow any part of the artwork to extend beyond the blue mask.
Do not remove, replace, regenerate, resize, reshape, reposition, shorten, enlarge, or reconstruct the existing label.
Do not change the label’s width, height, angle, proportions, or boundaries.
Do not turn the artwork into a separate patch, sticker, floating graphic, or replacement material.
Do not allow the label to disappear or become obscured.
Label Preservation Checklist:
Size, shape, position, angle, width, and height
Construction, thickness, material, and stitching
Fabric weave, texture, and surface details
Folds, curvature, shading, and highlights
Perspective and interaction with the existing lighting
Placement over the laces (must continue to overlap and slightly cover the laces exactly as in Image 1)
Integration Standard:
Integrate the Image 3 artwork with the label’s existing perspective, curvature, folds, weave, shading, highlights, and lighting so it appears authentically printed or embroidered during manufacture. It must not look like a flat digital overlay.
FINAL CONSTRAINTS
Do not modify any area outside its assigned mask.
Do Not Change: Background, framing, studio lighting, shadows, reflections, exposure, contrast, color balance.
Core Goal: Preserve the original shoe identity, construction, layer separation, and material fidelity. The final result must look like the same original product photograph with only the precisely specified masked color and artwork edits applied.

Image 3 toplineTopline

Optional topline addition for the third view.

image3Topline

Topline Instructions:
Mask-Color Assignment
Yellow mask: Matte sole-topline band
YELLOW MASK: MATTE SOLE-TOPLINE BAND
Primary Edit:
Edit only the exact yellow-mask region.
Change this region to an opaque matte finish in exact colour ${toplineColorId}.
Spatial Definition:
The yellow-mask region is the narrow horizontal topline rim of the sole construction.
Location: Immediately below the white AM-logo heel panels; immediately above the red-mask translucent outsole/rubber sidewall shell; around the sides of the sole construction.
Exclusions (Is NOT): Ankle collar, shoe opening, collar wings, inner lining, pull tabs, cream or tan heel-counter leather, white upper mesh, white AM-logo heel panels, or any other part of the shoe upper. Do not place ${toplineColorId} anywhere on those upper-shoe areas.
Band Properties:
Must be opaque, uniformly coloured ${toplineColorId}, matte, physically integrated with the surrounding sole, and restricted precisely to the yellow-mask boundary.
Stitch Preservation:
Preserve every stitch visible within this band exactly, including its original: colour, position, spacing, thickness, sharpness, texture, shadows, and highlights.
Apply the ${toplineColorId} material around and beneath the existing stitches.
Do not paint over, obscure, recolour, move, soften, or regenerate any stitch.
Material and Boundary Requirements:
The matte surface must retain realistic material depth, texture, curvature, shading, and subtle lighting response.
Must NOT appear as: Flat digital colour fill, translucent tint, glossy paint, sticker/overlay, blurred mask, textureless surface, or colour spill onto surrounding regions.
Create a clean, precise transition between the opaque matte ${toplineColorId} sole-topline band and the adjacent translucent shell.
Do not allow the matte colour, material, texture, or opacity change to extend beyond the yellow-mask boundary.

Image 4 · pass 1Sole pipeline

Edits sidewall and traction regions.

image4.1

STRICT MASKED EDIT

BASE IMAGE INSTRUCTION

Image 1 is the base product photograph. Use Image 1 as the only visual source for:

Geometry
Shape
Silhouette
Materials
Construction
Lighting
Camera angle
Perspective
Background

Images 2 and 3 are edit masks only.

Use the mask images only to determine where edits are permitted. Do not use the mask images as visual references or infer design information from them.

The goal is localized recolouring only. Treat Image 1 as an existing, finished product photograph.

Do not regenerate, reinterpret or redesign the shoe. Only modify masked pixels.

Outside the masks: NO CHANGES.

PRESERVE EXACTLY

Shoe geometry
Proportions
Silhouette
Materials
Camera angle
Perspective
Lighting
Exposure
Shadows
Reflections
White balance
Textures
Stitching
Upper construction
Laces
Sole construction
Background

DO NOT

Redesign or regenerate the shoe
Change its shape or proportions
Modify unmasked areas
Introduce new design elements
Reconstruct existing materials

MASK 2 — OUTSOLE TRACTION AND GRIPPER ELEMENTS

MASK INTERPRETATION

Interpret all pixels inside Mask 2 as traction geometry, including:

Bottom traction pods
Traction lugs
Grip structures
Side-visible traction elements
Rear traction elements
Edge traction geometry

Every visible traction component contained within Mask 2 must receive the assigned colour treatment.

PRIMARY EDIT

Change only the existing traction material within Mask 2.

Treat ${soleColorId} as the true base colour of the traction material before its transparency, material thickness, lighting and optical behaviour affect its visible appearance.

The assigned colour must exist naturally within the traction material. It must not appear as an opaque coating, painted surface or flat colour fill.

Apply the same adaptive colour rules used for Mask 1 to the final visible appearance of ${soleColorId}.

ADAPTIVE OPTICAL COLOUR SHIFT

The visible colour of the traction material must respond continuously to the perceptual lightness and chroma of ${soleColorId}.

Do not use a fixed RGB, brightness, exposure or saturation offset.

INVERSE LIGHTNESS RESPONSE

Darker selected colours must appear lighter within the translucent traction material.

Lighter selected colours must appear slightly darker or more tonally contained within the translucent traction material.

Mid-lightness colours should receive only a moderate lightness adjustment.

The darker ${soleColorId} is, the stronger the lightness lift may be.

The lighter ${soleColorId} is, the stronger the controlled lightness reduction may be.

Apply this response smoothly according to:

Material thickness
Viewing angle
Optical depth
Internal reflections
Refraction
Existing lighting and shadows
Edge transmission and highlights

Do not divide colours into abrupt light-versus-dark categories.

DARK AND MEDIUM COLOURS

For dark colours, increase perceptual lightness enough to preserve tread detail, internal material structure, translucency and optical depth.

The darkest colours may receive the greatest lightness lift, but they must remain recognizably dark and preserve the identity of ${soleColorId}.

Do not allow dark traction colours to become crushed, absolute black, featureless or indistinguishable from shadow.

For medium-lightness colours, apply only the minimum lightness adjustment necessary to create a convincing translucent-material appearance.

LIGHT COLOURS

For already light colours, reduce perceptual lightness enough to preserve density, tread definition and contrast.

The lightest colours may receive a stronger controlled lightness reduction.

Do not allow light traction colours to become pure white, chalky, overexposed, colourless or visually lost against the underlying outsole.

The traction elements must remain clearly visible and materially distinct.

ADAPTIVE CHROMA REDUCTION

Reduce perceptual chroma according to the original chroma of ${soleColorId}:

Highly saturated colours must receive the strongest chroma reduction.

Medium-chroma colours must receive a moderate chroma reduction.

Low-chroma and near-neutral colours must receive only a restrained chroma reduction.

Chroma reduction must scale smoothly with the original colour intensity.

As a general guide:

Highly saturated colours may have their perceptual chroma reduced by approximately 60–80%.

Medium-chroma colours may have their perceptual chroma reduced by approximately 40–65%.

Low-chroma and near-neutral colours may have their perceptual chroma reduced by approximately 15–40%.

These ranges describe the intended final perceived colour of the translucent traction material. Adjust them according to material thickness, viewing angle, lighting and optical depth.

Preserve enough of the original hue and colour identity for ${soleColorId} to remain recognizable and visually dominant.

SPECIAL HANDLING FOR BLACK, WHITE AND NEAR-NEUTRAL COLOURS

Pure or near-black selections must not remain absolute black.

Significantly reduce the perceived darkness by lifting the traction colour toward a dimensional off-black or very dark tinted charcoal.

Retain deep contrast and the identity of black traction material while preserving visible tread geometry, moulded details, translucency and tonal variation.

Pure or near-white selections must not remain absolute white.

Significantly reduce the perceived lightness by bringing the traction colour toward a controlled off-white, pale tinted ivory or soft light grey.

Preserve enough tonal density to distinguish the traction elements from the underlying outsole, surrounding highlights and studio background.

Black, white and near-neutral selections must retain a subtle colour presence rather than becoming perfectly achromatic.

Introduce a very slight, physically plausible bluish, yellowish, blue-grey or warm ivory undertone according to:

The original undertone of ${soleColorId}
The existing studio lighting
The surrounding sole materials
The optical behaviour of the translucent traction rubber

The undertone must remain restrained and low-chroma.

It should create a premium off-black or off-white material appearance without becoming visibly blue, yellow, cream, brown or grey as an unrelated colour.

Do not introduce an undertone unrelated to ${soleColorId} or the lighting in Image 1.

COLOUR-BEHAVIOUR GUIDANCE

Saturated warm colours should become lighter or more tonally balanced, substantially softer and dustier.

Cool colours should become lighter or more tonally balanced and appear as muted pale blue-greens, blue-greys or related low-chroma cool tones.

Neutral colours should remain gently tinted and materially visible rather than becoming perfectly colourless.

Dark colours should become lighter, softer and less chromatic.

Light colours should become slightly darker, denser and more clearly defined.

Preserve the original hue family so every traction component reads as the same continuous ${soleColorId} material.

Use smooth, physically believable variations across the traction material. Visible differences may occur only where justified by material thickness, optical depth, viewing angle, lighting or shadow.

MATERIAL REQUIREMENTS

Preserve exactly:

Original transparency
Original translucency
Original optical density
Original material appearance
Original tread geometry
Original traction depth
Original moulded details
Original surface texture
Original edge definition
Original internal reflections
Original edge highlights
Original contact shadows
Original interaction with the studio lighting

The result must appear as premium coloured translucent performance rubber with unchanged material characteristics.

It must not appear as white translucent rubber with only a faint surface tint.

COLOUR DOMINANCE REQUIREMENT

The adaptively transformed ${soleColorId} must remain the dominant perceived hue across every traction element.

Do not allow the original white outsole beneath the traction material to overpower or erase the identity of ${soleColorId}.

Chroma reduction must soften the colour without making it colourless or unrecognizable.

Lightness adjustment must improve material definition without replacing the selected hue.

The traction material must clearly read as ${soleColorId} at first glance while retaining its original transparency, optical density and physical characteristics.

Achieve colour dominance through physically believable pigmentation integrated within the existing translucent material—not by increasing opacity, darkening shadows, flattening reflections or applying a painted coating.

FULL MASK 2 COVERAGE

The adaptive ${soleColorId} pigmentation must extend throughout the entire Mask 2 traction region, including:

All traction pods and lugs
Side-visible and rear-facing traction elements
Edge and contour pixels
Anti-aliased boundary pixels
Partially transparent pixels
Silhouette-adjacent traction pixels
Recessed moulded traction details

There must be no remaining untreated traction perimeter, original-colour outline or uncoloured traction pixels within Mask 2.

Maintain continuous colour identity across all traction elements. Variations in visible intensity are permitted only where physically justified by thickness, angle, optical depth, lighting or shadow.

DO NOT

Do not use a fixed RGB or saturation offset.

Do not apply the same numerical lightness or chroma change to every selected colour.

Do not allow traction geometry to inherit colour from Mask 1.

Do not transfer ${foamInsideColorId} into Mask 2.

Do not introduce an unrelated secondary colour.

Do not change traction shape, depth or tread definition.

Do not increase or decrease translucency.

Do not change optical density.

Do not create an opaque coating.

Do not repaint or flatten the traction surface.

Do not make highly chromatic colours unnaturally vivid.

Do not make low-chroma colours completely colourless.

Do not leave black or dark colours crushed or lacking visible detail.

Do not make white or light colours chalky, overexposed or indistinguishable from the outsole beneath them.

Do not modify the adjacent translucent sidewall.

Do not alter unmasked outsole components.

Do not modify the shoe upper, laces, lighting, shadows, exposure or background.

UPDATED RENDERING-GOAL SUMMARY

Mask 1: ${foamInsideColorId} internal-midsole colour with adaptive inverse-lightness, chroma-responsive and off-black/off-white treatment where viewed through the original translucent sidewall.

Mask 2: ${soleColorId} traction and gripper material with the same adaptive inverse-lightness, chroma-responsive and off-black/off-white treatment, while preserving the traction material’s original translucency, optical density, geometry and physical behaviour.

Everything else must remain unchanged.

Image 4 · pass 2Sole pipeline

Edits laces and the exposed insert after pass 1.

image4.2

STRICT MASKED EDIT BASE IMAGE INSTRUCTION

BASE IMAGE & MASKING CORE RULES

Image 1 is the base product photograph. Use Image 1 as the only visual source for:

Geometry, Shape, Silhouette, & Proportions

Materials & Construction

Lighting, Camera angle, Perspective, & Background

Images 2 onward are edit masks only.

Use mask images solely to determine where edits are permitted.

Do not use mask images as visual references or infer design information from them.

The goal is localized recoloring only. Treat Image 1 as an existing, finished product photograph. Do not regenerate, reinterpret, or redesign the shoe. Only modify pixels contained within the assigned masks. Outside all masks: NO CHANGES.

PRESERVATION CHECKLIST
Preserve exactly:

Shoe geometry, Proportions, & Silhouette

Camera angle, Perspective, Lighting, Exposure, Shadows, Reflections, & White balance

Textures, Stitching, Upper construction, Sole construction, & Background

Image quality

GENERAL RESTRICTIONS
Do not:

Redesign or regenerate the shoe

Change its shape, silhouette, or proportions

Modify unmasked areas

Introduce new design elements

Transfer colours between masks

Blend the effects of separate masks

Recolour any area outside its assigned mask

MASK ASSIGNMENTS & PRIORITY

Mask 1: Laces
Mask 2 : EXPOSED SIDEWALL INSERT
Apply only the modification assigned to each mask. Treat every mask as a separate, independently controlled edit region.

Mask Priority: Mask 2 > Mask 1

If mask boundaries overlap or any ambiguity exists, follow the higher-priority mask. Never extend a lower-priority edit into a higher-priority region.

MASK 1 — LACES

Modify only the laces contained within Mask 1.

Lace Colour: ${laceColorId}

Preserve the laces’ original:

Weave structure, Fabric texture, & Material appearance

Shading, Highlights, Folds, & Thickness

Lighting response

Only change the lace colour.

Do not modify:

Surrounding upper materials

Eyelets

Tongue materials

Stitching

Any area outside Mask 1
MASK 2 — EXPOSED SIDEWALL INSERT Modify every pixel contained within Mask 2. Mask 2 is mandatory. Do not omit Mask 2. Do not partially recolor Mask 2. Every pixel within Mask 2 must receive the assigned color. Color: ${foamInsideColorId} Display this color directly. Full saturation. No translucency. No frosting. No haze. No whitening. No diffusion. No transparency. The color should appear as a direct material coloration. Maintain: * Original geometry * Original texture * Original shading * Original highlights * Original molded details * Original material response Only recolor the existing material. Do not change material properties. Do not change surface finish. Mask 2 must appear visibly stronger and more saturated than the color visible through the translucent sidewall. --- RENDERING GOAL Photorealistic footwear product photograph. Only change: * Lace color in Mask 2 Exposed insert color in Mask 2 Everything else remains unchanged. Preserve maximum fidelity to the original product photograph.

Boundary Control

Create a clean, precise transition between the opaque matte {sole topline colour} sole-topline band and the adjacent translucent shell.

Do not extend the ${toplineColorId} colour, matte finish, material change, or opacity change beyond the white Mask 2 boundary.

Preserve every black area in Mask 2 exactly as it appears in Image 1.

RENDERING GOAL

Produce a photorealistic footwear product photograph with maximum fidelity to Image 1.

Only change:

Lace colour within Mask 1

MASK 2  EXPOSED SIDEWALL INSERT
Everything else must remain completely unchanged, including the shoe’s geometry, materials, construction, background, composition, lighting, camera angle, perspective, proportions, details, and image quality.

Image 4 toplineTopline

Added to the second pass when topline is enabled.

image4Topline

Topline Instructions:
MASK ASSIGNMENT:
Mask 3: Sole-Topline Band
MASK 3 — OPAQUE MATTE SOLE-TOPLINE BAND

Modify only the region shown in white within Mask 3. The white area identifies the narrow sole-topline band that must be changed. All areas shown in black are protected and must remain completely unchanged.

Colour and Finish
Change only the Mask 3 region to an opaque matte material in the exact colour ${toplineColorId}.

The edited band must be:

Opaque

Uniformly coloured ${toplineColorId}

Matte

Realistically integrated into the sole construction

Confined precisely to the white Mask 3 boundary

Spatial Definition
The editable region is the narrow horizontal topline rim of the sole construction.

It is located:

Immediately below the white AM-logo heel panels

Immediately above the translucent outsole or rubber sidewall shell

Along the visible sides of the sole construction

The Mask 3 edit does not include:

Ankle collar, Shoe opening, Collar wings, Inner lining, & Pull tabs

Cream or tan heel-counter leather

White upper mesh & White AM-logo heel panels

Translucent outsole or rubber sidewall shell

Any other part of the shoe upper or sole

Do not apply ${toplineColorId} to any black-masked, unmasked, or separately assigned region.

Stitch Preservation
Preserve every existing stitch visible within the Mask 3 band exactly as it appears in Image 1, including its original:

Colour, Position, & Spacing

Thickness, Sharpness, & Texture

Shadows, Highlights, & Lighting response

Apply the new ${toplineColorId} material around and beneath the existing stitches. The stitches are protected details within Mask 3. Do not paint over, obscure, recolour, move, soften, replace, or regenerate them.

Material Realism
Retain the band’s existing physical form, including its:

Material depth & Surface texture

Curvature & Edge definition

Natural shading, Highlights, & Shadows

Only change the band’s base colour, opacity, and finish as explicitly instructed.

The edited region must not appear as:

A flat digital colour fill

A translucent tint

Glossy paint

A sticker or overlay

A blurred mask

A textureless surface

Colour spill onto surrounding areas
Only change:
Sole-topline band colour, opacity, and finish within Mask 3

Image 4 · artworkArtwork transfer

Transfers the uploaded sole artwork onto image 4.

image4.3

Use the first image as the primary/base render and preserve it as closely as possible without redesigning the shoe. 
                Maintain the exact: camera angle, composition, lighting, materials, translucency, tread geometry, sole thickness, reflections, premium CGI product-render quality from the first image. 
                Transfer the outsole design and embedded logo from the image 2 onto the outsole of the shoe in image 1, but place it under the semi-transparent ${soleColorId} gripper.
                
                Do not: 
                Mirror the logo, invert the typography, reverse the text orientation.

Preserve the logo’s relative placement within the outsole geometry of Image 2 while adapting it correctly to the perspective, curvature, and foreshortening of the first image. 
                The logo must: conform accurately to the sole curvature warp naturally with perspective appear embedded beneath the translucent rubber exhibit realistic depth and refraction remain partially diffused through the milky translucent sole material 
                Preserve the exact original logo coloration from the image 2. 
                Do not introduce new hues, gradients, color variation, or artistic reinterpretation.

Color fidelity is critical. 
                Transfer the outsole artwork exactly as shown in the source reference image 2, but place it under the semi-transparent ${soleColorId} gripper. 
                Preserve the translucent rubber appearance exactly as seen in the first image, including: subsurface scattering, internal depth, soft diffusion, realistic refraction, soft internal blur. 
                Treat the outsole artwork as a physically molded internal outsole layer, not as a flat texture overlay. 
                Do not alter: shoe silhouette, outsole shape, tread structure, sole translucency, mesh, upper, render angle, floating composition, lighting setup. 
                The final image should look as though the second render was originally manufactured with the outsole/logo design integrated into the sole under the gripper from the beginning, with physically accurate orientation, perspective distortion, material embedding, optical behavior, and exact original coloration preserved from the source image.